Latest Stories
Studio Visit
Inside a small-batch pottery studio where texture and imperfection are the point
We spend a day with a ceramicist who shapes each piece by hand, from wedging the clay to glazing the final form. The firing process creates subtle variations in color and texture, making every object unique. The piece explores wabi-sabi and how embracing imperfection has become a quiet rebellion against mass production.
Read the storyUrban Observation
How a walk through the neighborhood can spark new ideas for your home
The city itself is a rich source of design inspiration, from the patina of old brick walls to the geometry of fire escapes. We follow a designer on a morning walk, noting how she collects visual references from shopfronts and street art. The piece offers practical tips for training your eye to see beauty in the mundane.
Read the storyNeighborhood Guide
Three districts where independent makers and cozy cafés thrive
Three districts that have become havens for slow living, each with its own character and community of makers. We profile a family-run café that roasts its own coffee, a textile workshop using natural dyes, and a bookshop hosting weekly reading circles. The guide includes practical tips for visiting and supporting local businesses.
Read the storyCommon Questions
A few things readers and contributors often ask us about the magazine, our editorial process, and how we work with the creative community.
We release a new issue every two months, with smaller features and studio notes appearing in between. Each issue is built around a central theme, like material experiments or the rituals of slow mornings, and we keep the pace deliberately unhurried.
Yes. We feature emerging artists, ceramicists, textile designers, and furniture makers whose work reflects a thoughtful approach to craft. Send us a short introduction, a few images of your work, and what you are currently exploring in your studio. We read every submission and respond within three weeks.
We publish a limited print edition twice a year, usually in spring and autumn. The print run is small, and each copy is numbered. Digital issues remain free to read online, while the print edition is available through our contact page for those who prefer a physical object on the shelf.
We look for places with a clear point of view, whether that is a potter who experiments with local clay or a café that roasts its own beans. The common thread is a commitment to doing things carefully. We also try to feature a mix of established workshops and younger makers who are just finding their voice.
Absolutely. Reader suggestions have led to some of our favorite pieces, including a guide to natural dye workshops and an essay on the value of imperfect objects. Send your idea to our editorial team with a few lines about why it matters to you, and we will keep it in mind for upcoming issues.